In Broad Daylight
8.5” x 8.5”
Soft Cover
116 Pages
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The beauty of street photography is that one has so little control. There are no brushes or lights to be manipulated. The palette is predetermined and you are completely at the mercy of the moment.
The photographer is present at the birth of the image and certainly plays a role in its inception but the captured moment is never the photographer’s. At the end of the day
it’s always its own.
★★★★★
After nightfall the face of the country seems to alter marvelously, and the clear moonlight only intensifies the change. The river gleams like running quicksilver, and the moonbeams play over the grassy stretches of the plateaus and glance off the wind-rippled blades as they would from water. The Bad Lands seem to be stranger and wilder than ever, the silvery rays turning the country into a kind of grim fairy-land. The grotesque, fantastic outlines of the higher cliffs stand out with startling clearness, while the lower buttes have become formless, misshapen masses, and the deep gorges are in black shadow; in the darkness there will be no sound but the rhythmic echo of the hoof-beats of the horses, and the steady, metallic clank of the steel bridle-chains.
– Theodore Roosevelt